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	<title>Comments on: #19: How do I get a job as a story analyst/script reader?</title>
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	<link>http://www.planetdma.com/blog/19-how-do-i-get-a-job-as-a-story-analystscript-reader/</link>
	<description>Helping entertainment, business and education professionals work faster, simpler, smarter.</description>
	<pubDate>Thu, 29 Jul 2010 23:14:31 +0000</pubDate>
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		<title>By: DMA</title>
		<link>http://www.planetdma.com/blog/19-how-do-i-get-a-job-as-a-story-analystscript-reader/#comment-6</link>
		<dc:creator>DMA</dc:creator>
		<pubDate>Thu, 15 Feb 2007 22:06:00 +0000</pubDate>
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		<description>Hi, Anne,&lt;br/&gt;&lt;br/&gt;Thanks very much for your question.  My experience as a reader at a major production company was many years ago, so I also contacted producers I know at Warner Bros. and elsewhere.  And the answers remains, unfortunately, no, as a reader, you would not get a piece of any funding for a “go” project.  Of course, the creative execs themselves don’t get a piece of their projects, so no trickle down there to speak of.&lt;br/&gt;&lt;br/&gt;It is one of the challenges of doing development in both TV and film that your efforts towards finding and shaping material are rewarded by salary only (and not a big one!).  That, of course, is in exchange for steady paychecks, benefits and more job security than freelance producers.  Many creative execs come from production, and many return, so they can not only execute their projects but be rewarded for them.&lt;br/&gt;&lt;br/&gt;Best, dma</description>
		<content:encoded><![CDATA[<p>Hi, Anne,</p>
<p>Thanks very much for your question.  My experience as a reader at a major production company was many years ago, so I also contacted producers I know at Warner Bros. and elsewhere.  And the answers remains, unfortunately, no, as a reader, you would not get a piece of any funding for a “go” project.  Of course, the creative execs themselves don’t get a piece of their projects, so no trickle down there to speak of.</p>
<p>It is one of the challenges of doing development in both TV and film that your efforts towards finding and shaping material are rewarded by salary only (and not a big one!).  That, of course, is in exchange for steady paychecks, benefits and more job security than freelance producers.  Many creative execs come from production, and many return, so they can not only execute their projects but be rewarded for them.</p>
<p>Best, dma</p>
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		<title>By: Anne</title>
		<link>http://www.planetdma.com/blog/19-how-do-i-get-a-job-as-a-story-analystscript-reader/#comment-5</link>
		<dc:creator>Anne</dc:creator>
		<pubDate>Wed, 14 Feb 2007 10:21:00 +0000</pubDate>
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		<description>I just read your blog and wondered if you can answer my question.  I heard that at major studios such as Warner Brothers, Universal, etc...their story analysts get paid a percentage of a project if it gets funding.  Is this true?  I heard usually a small percentage...thanks ahead of time for addressing this.</description>
		<content:encoded><![CDATA[<p>I just read your blog and wondered if you can answer my question.  I heard that at major studios such as Warner Brothers, Universal, etc&#8230;their story analysts get paid a percentage of a project if it gets funding.  Is this true?  I heard usually a small percentage&#8230;thanks ahead of time for addressing this.</p>
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