The “1” is the theme of your screenplay.
Identifying and committing to this is the first step in crafting solid story
structure for your script.
Theme
is the first thing I, as a story analyst, am going to check out to see if I need
to carefully read your screenplay. How? I’m going to flip through pages 8-13 of
the script and see what the Main Character is obsessing over. Then I’m going to
flip to the last ten pages of the script and see what the Main Character is
learning about. These had better be the same issue.
To
make it simple, the theme of your
screenplay is the single issue your Main Character struggles to learn a
lesson about in your movie. |
What
do I mean by issue? I mean a “value” or “institution.” You know what values are!
Values are things like: love, happiness, security, honesty, wealth, commitment,
growth, power, etc. Institutions? Easy! Institutions are social structures
like: marriage, parenthood, employment, etc.
IMPORTANT: You only get to choose one issue for your
entire screenplay. That’s right, one.
If
your screenplay begins with the Main Character battling an issue relating to wealth…continues with the Main
Character working through fear…and
ends with the Main Character understanding the true meaning of love… your audience and your story
analyst are going to utter the hateful phrase “I don’t know what that movie was
about.” Peh!
That’s
because that movie wasn’t about anything. It was about three things: wealth,
fear and love. But it can only be about one: The “1” – your theme.
How
do you know if you have a theme?
When
you describe your movie, you can state in one or two sentences, called a “statement of theme,” what shift your Main
Character makes in relation to a single issue.
|
REAL SCREEN REINFORCEMENT |
Here are sample theme statements of
hit movies that stuck to their central issue:
a) The 49ers; b) FATHERHOOD; or c) Obamacare?
a) “Let It Go”; b) “Carpe diem”; or
c) INTIMACY?
What’s the theme?
a) PRIDE; b) no, it’s not “b”; or c) seriously, it’s “a”? Think you know the movie names? Post
your guesses at PlanetDMA.com! |
But
how do you identify the theme in your screenplay? There’s actually a great way
to cheat this. The “1” is an integral part of The “3,” which is coming up next.
But first, a quick theme-spotting exercise:
NOTE:
Throughout this book, there’ll be action tips for two different levels of
progress: people just starting a script
(“Clean Slate”); and people fixing a finished screenplay (“Fix-It Mode”).
Creating/Identifying The “1” – Theme
“CLEAN SLATE” To
identify your theme, always start with your “motivating moment.” What is the
value or institution at the center of that scene or statement or choice? Chances
are, that’s what your screenplay will be about. |
“FIX-IT” MODE To
identify your theme, re-read your script and highlight every key choice your
character makes. What is the value or institution at the center of those
choices? If it’s many values, you don’t have a theme yet – which you probably
don’t, or your script would not feel broken! Identify the value in the
script’s most powerful moment…can you rework the script to make this issue
the focus of the Main Character’s journey? |
One
more recommendation before you move on to The “3.” Assemble a “Research Lab” of
at least three of your favorite movies right now. Make sure there’s a mix –
like a comedy, a drama and a kid’s flick. Skim through the films to remember
the Main Character’s key choices. Can you identify in one word the issue that drives
their choices throughout the film?
If
you can’t do that with your favorite movies, stock your Lab with these
structural triumphs: Kramer vs. Kramer and Big. Happy Theme Hunting!
THE ROAD TO “RECOMMEND”
P |
Pledge #2:
I will commit to a
single issue, or theme, for my Main Character to confront. All of his or her
choices will revolve around that theme. If I just can’t figure out how to
identify my theme, I will in the next step, thanks to The “3.” |